https://devlaravel.imosver.com/en/libros/cuestion-de-locura-02702500850270250085Cuestión de locura20.85Cuestión de locura recoge cuatro de las novelas cortas fundamentales en la obra de Kadaré. Cubren un periodo de cuatro décadas en su narrativa. «Cuestión de locura», que da título al libro, es autobiohttps://static.arnoia.com/imagenes_small/9788420/978842068275.jpgLibrosLibros/LITERATURA CLASICASin stockALIANZA000https://static.arnoia.com/imagenes_small/9788420/978842068275.jpg001037132800105062230010506224001041388121.9551.12008/09/019788420682754Kadaré, IsmaílLibrosaño_2008idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Kadaré, Ismaílsaga_LITERARIA.NARRATIVA
Artículo
Cuestión de locura
Kadaré Ismaíl
ALIANZA
ALIANZA EDITORIAL
LITERATURA CLASICA
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Cuestión de locura recoge cuatro de las novelas cortas fundamentales en la obra de Kadaré. Cubren un periodo de cuatro décadas en su narrativa. «Cuestión de locura», que da título al libro, es autobiográfica, casi una continuación de su novela Crónica de piedra. Desde la óptica infantil del narrador nos asomamos a su despertar al mundo, a las tradiciones en las que se educa e inserta socialmente. Las vivencias familiares que, oscilando entre lo lógico y lo irracional, marcarán la formación del futuro escritor.Le sigue «El desprecio», de corte balzaciano, una crítica a las hipocresías sociales a través del particular matrimonio entre uno de los seguidores del nuevo régimen comunista albanés y una representante de la vieja aristocracia. Viene después «Días de juerga», escrita en su época de estudiante. Fue censurada como obra «decadente» ajena a la realidad socialista, ya que trata de dos jóvenes que ponen en solfa toda norma vigente. Por último, una saga, «La estirpe de los Hankoni»: las vivencias de una familia que, desde el siglo xviii a los albores del xx, asiste a los cambios materiales y de mentalidad que fragua el paso de los tiempos. Estas cuatro novelas cortas componen un conjunto narrativo, con un eje casi común en torno a Gjirokaster -ciudad natal de Kadaré- y los conflictos que genera todo final de época, todo periodo a punto de fenecer ante una nueva era. A través de sus personajes, Kadaré escruta la tradición y lo moderno, lo oculto y lo evidente, lo onírico y lo vivido, lo racional y lo irracional, las pasiones humanas y los anhelos, las mezquindades y las grandezas de lo cotidiano... Siempre con ojos penetrantes y fina ironía, con una pluma incisiva y lúcida, con la tensa contención del mejor Kadaré.